I think it’s a key teaching topic, also because it’s teaching students to look at data and to interpret data, to assess which part of that data is going to get them to the answer and which part is exquisite detail that they can come back to later on.
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I remember when I was taught this, that the only definition we were given was Le Chatelier’s actual definition, or his principle, and I remember reading that language and going geez, that’s really hard to follow as a student, so I used to always try and present that and then break it down in to a more simple sort of version that I thought would be easier to understand. |
So the strategy is to reflect, to change things, to be flexible, to talk to them but not talk down to them, and certainly I would say to any young lecturer don’t be writing the lecture the night before. Know what your course is because then you can jump back and forth as you talk about something. You can say yeah we talked about this a week ago or something like that, you know. Know what you’re going to talk about, the whole thing, because then you can put it all together as a package. |
I like to approach chemistry as a different language, because it used symbols to convey ideas across, but they are not the reality. When we draw a little stick structure, alcohol does not exist as I’ve just drawn it, it’s a representation. |
A lot of it is from colleagues. Conferences are fantastic. You know, your chemical education conferences. I do go to a lot of those. |
It’s something that needs to be reinforced, it’s not that you taught it in this unit for three weeks, we are over it. It’s something that keeps coming back, and that you can possibly reintroduce it, with not much change to your teaching. Not every single time, but every now and then remind the students, ‘remember, you still have to think about stoichiometry and limiting reagents’. |
I find that some students pick up what the mole concept is from the idea of grouping numbers of things that are every day size. |
It always seems like we're starting from further behind than a lot of the other sciences are because they seem to know less about chemistry when they get here. If I say ‘think of a famous physicist’ you probably already have thought of three. Then you could go outside and ask someone to think of a famous physicist and they'd probably think of at least one of the same ones. You do the same thing with biologists. If I say to think of a famous chemist … that's within chemistry circles, we can't do it. We can name one but you know if you go out there and say, ‘Who is this person?’ they've got no idea. So for some reason … we've never … chemists have never been able to popularise our topic, our content. We've never been able to make it exciting enough that someone who is not studying it still wants to know about it. And so I do think we've got a bigger challenge, for whatever reason. Maybe there's something about chemistry that makes it less enjoyable, I don’t know. There's definitely been an ongoing issue for us that it's not … people just don't know anything about it... Most people know Einstein's theory of relativity. You don't see that really in everyday, go, "There's the theory of relativity at work." Newton's Law, sure, you see those and you … but, yeah, everybody knows Einstein. And a lot of … I'll call them lay people, I don't like the term, but non-science people, could probably give you a hand wave explanation of what the theory of relativity is about, which is a pretty abstract thing. I mean, if we think of the equivalent types of things in chemistry that are that abstract, nobody has a clue. We teach them in third year to the remaining hard core people that are left. |
And it’s taken me a long time to discover what sort of teacher I actually am.... I had a colleague who said to me, ‘oh you’re a narrative teacher’. I said, ‘I’m a what’? ..... I tell stories, essentially. I tell stories. I turn everything into a story in some way... and again, analytical chemistry lends itself to that. That you can link it to stories that are in the media, personal experiences, my own personal research experience. The student’s own experience. So it’s shared. So while I thought I was a straight forward didactic teacher, you know I just stood there but I’m not, I asked students, ‘alright who’s got experience of this’, and then I use a narrative form to get that across, and it seems to work. |
I know it's hard for them to 'suspend reality' and just accept a concept. They grasp for real life examples or metaphors which make sense to them. Students don't like the concept of something that can shift/change. They like one answer which is set and that's it, right or wrong - not 'shifts to the left/right'. |